Ashtray Navigations
The Love that Whirrs

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English artist Phil Todd has been an underground presence for well over a decade, engaging in countless groups and collaborations, signing on as an occasional member of Vibracathedral Orchestra and Sunroof!, and releasing numerous documents of dissident art via his Betley Welcomes Careful Drivers and Memoirs of an Aesthete labels. Todd’s major achievement, though, is his ongoing solo project Ashtray Navigations. Releasing a baffling amount of cassettes, LPs, CDs and CD-Rs, Todd has refined a singular take on modern sound construction that references the dynamics of rock, the emotional evisceration of blues and the white-light intensity of noise.

Over 70 minutes of 'trash drone' which will quickly find a beloved home among fans of VHF records (I.E. Neil Campbell, Matthew Bower, Richard Youngs, etc.) as well as the New Zealand low-fi scene.

 "This is one of those recordings that sounds like every non western culture is playing their instruments(amped) all at the same time. Infinite depths of drone are chipped away at with pinpricks of metal and stone sounding percussion. Strings, wind instruments, and unknown electrical noise sources all coalesce into a very forward moving sound. The movement is slow and steady but a sense of inevitability and invincibility is created. This is drone/noise/whatever not to be fucked with. Scouring, lulling, creeping. It says play real damn loud right there on the packaging and that's what I did(on semi-shitty computer speakers). And I heard a sound that will appeal to not only the hipsters just passing through, but hardcore dirtdroners, free noise clatterers, and those already tuned to this frequency.  ..Raw noise, strummed acoustic strings, freedomized reed instruments, more wasted synthesizer, buried amp buzz, more open-ended drumming & hitting, and god knows what else can be found on the [...] disc. The thickness and application change but the intent, love that does truly whir and destroy always stays the same."
--Warren Realrider